Giles Bailey works largely with performance to rethink conventional approaches to assembling and recounting history. Using texts, video fragments and choreographies - either composed himself or strategically plundered from elsewhere - these works propose a historiographic model that acknowledges doubt, subjectivity and reduction as inevitable factors when making sense of past events. Recent exhibitions and performances have been presented at KW Institute, Berlin DE; Outpost, Norwich UK; Arnolfini, Bristol UK (all 2013); Cage, New York US (2012) and Van Horbourg, Basel CH (2011)