Exhibitions include The Coffin Jump (solo: Yorkshire Sculpture Park, co-commissioned by 14-18 NOW as part of the nation-wide WWI centenary commemorations, 2018); The Time-Travelling Circus: the revised dossier concerning Pablo Fanque and the Electrolier (solo: Brotherton Library, University of Leeds, 2017); The Necropolitan Line (solo: Henry Moore Institute, Leeds, 2015 - image below); End Matter/The Loss Adjusters/The Quarryman’s Daughters (solo: Artangel, 2015); and Reality Flickers in MirrorCity (group: Hayward Gallery, London, 2014). Among her publications are The Dark Object (Book Works: London, 2010) and ‘Absalon’s Cells’ in The Object (Documents of Contemporary Art series, Whitechapel Gallery/MIT, 2014). She received the Paul Hamlyn Award for Artists, 2014.
Available for DPhil supervision at the Ruskin.
Katrina Palmer: Necropolitan Line 2015: Henry Moore Institute. Photo Jerry Hardman-Jones