Helen Benigson creates immersive video and sound environments, which become layered sets for scripted and choreographed performances using a cast of female performers and volunteers. Often her videos and performances use her own body and persona as the protagonist, or actors and dancers who become stand-ins Helens¹, as well as sets and props, creating frenzied, schizophrenic performances, referencing pop culture, contemporary game playing and animation. These are played out in messy, often awkward, digital carnivals, which repetitively enact the blurred boundaries between performer, producer and spectator, intrinsic to on-line video sharing.
Benigson was recently involved in Platform, a residency programme at Sheffield¹s Site Gallery and the LUX Associate Artist Program. Recent solo exhibitions include: Performa.13 After Hours, New York; Going to Africa via a Machine Called a Sunbed, at Meantime Project Space, Cheltenham and the Irma Stern Museum, Cape Town; and Palm Trees and Poker Players at UCA, Farnham and Breathe Harder, a site-specific performance at Yorkshire Sculpture Park. Recent group exhibitions include: Ericka Beckman: Image games work in context at Tate Modern; Videonale.14 at the Kunst Museum, Bonn, Lagos and Odessa; Videocracy at The Centre for Contemporary Art, Tel Aviv and The House in the Sky at Concrete, Hayward Gallery. In 2014, Benigson was awarded a Clarendon Scholarship to support her DPhil at the Ruskin School of Art, University of Oxford.