HOLLY SLINGSBY: Behind the Curtain

HOLLY SLINGSBY (BFA Christ Church 2006) creates performances that re-invent religious and mythical traditions. She is interested in mythological history and how it permeates contemporary culture.

Katrina Palmer: End Matter

UNRECOUNTED: Historical Amnesia in Germany and Namibia.

The exhibition juxtaposes a screening of Nicola Brandt’s installation 'Indifference' with Christoph Schlingensief’s film 'The African Twin Towers'. This is the first exhibition at the Biennale to be supported by the National Art Gallery of Namibia.

Ruskin Shorts 2015

An evening of performance by the staff, alumni and present students of the Ruskin School of Art, University of Oxford, UK.

Access Workshops at the Ruskin

The Ruskin School recently collaborated with the University's Botanic Garden to provide workshops for local primary school children. These opportunities were offered to give an experience of what it is like to be a student at Oxford University, with access to world renowned teaching and collections.

AHRC Doctoral Studentship in collaboration with Imperial War Museums (IWM)

Applications are invited for an AHRC-funded doctorate at the Ruskin School of Art, University of Oxford: “Contemporary Art and Conflict at IWM”. This is offered under the AHRC Collaborative Doctoral Partnership programme. The partner institutions are the Ruskin School of Art, University of Oxford and IWM.

Common Pence

Zander Whitehurst (BFA 2010-13) has developed an innovative donation platform using contactless and NFC technology, called Common Pence.

ANIMA : Music and Animation

ANIMA is an exciting, unique, collaborative project that brings together some of the UK's most dynamic contemporary composers and filmmakers. Founded in 2013 by conductor and composer, Chris Roe, ANIMA aims to explore a more profound relationship between music and film as well as placing contemporary music in a new context.

Machines of Loving Grace

Machines of Loving Grace is Alexander Massouras's first exhibition at David Krut Projects. The exhibition’s title comes from Richard Brautigan’s poem of the 1960s, in which he imagines a “cybernetic ecology” created through the union of nature and technology. “Machines of loving grace”—the poem’s final line— captures the utopian paradox of this post-industrial yet pre-lapsarian state of leisure.

Dreams of Homunculi

Charles Ogilvie and Vid Simoniti, Ruskin doctoral students, conjure up the world of alchemy in new work on show at the Museum of the History of Science.