In this section

Life Drawing - term-time classes Introduction to Short Courses Summer 2019 Art and Anatomy Botanical Drawing Chinese Calligraphy and Landscape Painting Deconstructing the Cubist Still Life Exploring the Exotic Still Life Introduction to Life Drawing Introduction to Screen Printing Sculpting the Head: Anatomy, Form, Personality The Archaeology of the Self The Art of Wax: Flesh and Mortality The Drawing Book

Introduction to Short Courses Summer 2019

The Ruskin School of Art offers a selection of short courses during the summer vacation (July - September) for small groups, developed by the School's Tutor of Anatomy Sarah Simblet and other Ruskin tutors. The programme includes a unique variety of subjects and teaching is via masterclasses, workshops, talks and group critiques, with visits to local museums, private collections and gardens. 
Photograph: Nancy MacDonal 2018

Marking It Out - drawing and printing

Many of the Ruskin School of Art's popular courses will be returning, including Sarah Simblet's courses The Drawing Book and Botanical Drawing.

The School also offers (on two occasions) an Introduction to Life-Drawing with Ruskin alumna Tara Benjamin-Morgan

For artists wanting to explore other traditions of mark-making and drawing, Ruskin tutor Weimin He, a scholar and artist of Chinese practices, presents a unique Introduction to Chinese Calligraphy and Landscape Painting.

The Ruskin's Tutor of Printmaking Graeme Hughes is offerng a new course: Introduction to Screen-Printing, an intensive four-day course for those who want to learn or extend their print-making skills, in the Ruskin's state-of-the-art print studio at Bullingdon Road.

Mastering Still Life - Collage and Painting

The Ruskin offers two courses examining early twentieth-century Masters and their impact on still-life traditions, to encourage artists in experimentation in their own practices. Clova Stuart-Hamilton will lead two courses: Deconstructing the Cubist Still Life, a four-day course using drawing, paint and collage to explore the style and forms of Braque and Picasso; and Exploring the Exotic Still Life, in which participants can explore the medium of gouache to create a large-scale still life painting loosely referencing Matisse's Moroccan period.

Expressions of Anatomy, Identity and Self

Dr Sarah Simblet, artist, author and the Ruskin's Tutor of Anatomy, and renowned sculptor and medical artist Eleanor Crook have developed a series of unique and highly specialisted studio-based courses on the study of human anatomy, its representation and other forms of self-expresion.

Sarah leads Art & Anatomy, an immersive course dedicated to understanding, appreciating and making art from human anatomy.

Eleanor also re-introduces two of her popular sculpture courses.  

Sculpting the Head: Anatomy, Form, Personality is a deeper anatomical exploration into three-dimenstional portraiture.

The Archaeology of the Self, explores representations of the human psyche, using collected and found objects to create a personal work of self-representation.

Eleanor has also developed a new course, unique to the Ruskin: The Art of Wax: Flesh & Mortality which studies materiality and transience in a practical studio-based programme.

 

Schedule and Fees of Courses

  • There are three prices for each course:
  • - Standard; 
  • - Students and over-65s (5% discount);
  • - Oxford University staff, alumni and students (10% discount).  
  • If you apply for a discounted place, you will be asked to provide your staff/alumni/student card or proof of status on the first day of the course. 

 

  • Monday 22 to Sunday 28 July (7 days) - High Street studios
  • Art & Anatomy, Course One (Sarah Simblet and Eleanor Crook)
  • £1,075 / £1,025 / £970
  •  
  • Tuesday 23 to Thursday 25 July (3 days) - High Street studios
  • Chinese Calligraphy (Weimin He)
  • £480 / £455 / £430
  • Friday 26 to Saturday 27 July (2 days)  - High Street studios
  • Chinese Landscape Painting (Weimin He)
  • £320 / £305 / £290

 

 

  • Monday 5 to Sunday 11 August (7 days) - High Street studios
  • Botanical Drawing (Sarah Simblet)
  • £1,075 / £1,025 / £970
  •  
  • Monday 5 to Saturday 10 August (6 days) - High Street studios
  • Exploring the Exotic Still-Life (Clova Stuart-Hamilton)
  • £900 / £855 / £810

 

 

  • Monday 26 August to Sunday 1 September (7 days) - High Street studios
  • The Drawing Book (Sarah Simblet)
  • £1,075 / £1,025 / £970
  •  
  • Monday 26 to Friday 30 August (5 days) - Bullingdon Road studios
  • The Art of Wax: Flesh & Mortality (Eleanor Crook)
  • £800 / £760 / £720
  •  
  • Tuesday 27 to Friday 30 August (4 days) - Bullingdon Road studios
  • An Introduction to Screen Printing (Graeme Hughes)
  • £680 / £645 / £610
  •  
  • Tuesday 27 to Thursday 29 August (3 days) - High Street studios
  • An Introduction to Life Drawing, Course 2 (Tara Benjamin-Morgan) 
  • £440 / £420 / £395

 

  • Monday 9 to Sunday 15 September (7 days) - High Street studios
  • Art & Anatomy, Course Two (Sarah Simblet and Eleanor Crook) 
  • £1,075 / £1,025 / £970

 

As indicated, most of the summer courses will be held at the Ruskin's studios at 74 High Street, in the historic city centre; those indicated at 'Bullingdon Road studios' will take place in the Ruskin's new state-of-the-art studios in vibrant East Oxford, a short 10-15-minute walk away.

Teaching starts at 10am each morning and finishes at 5pm.  The studios are open for personal study from 9am til 6pm.  The Ruskin provides core art materials for each programme and light refreshments during each course.  

Tuition is in English. There are no entrance requirements or criteria, but participants must be over the age of 16.

These courses are non-residential – participants must arrange their own travel and accommodation.   To enjoy the full Oxford University experience, we recommend booking accommodation in nearby colleges through University Rooms (guests must be 21 or over, or accompanied by someone over 21).

 

Booking a Place

Booking will open at the University of Oxford Online Stores on Friday 1 March, at 10am

All bookings for Ruskin courses are made on the University's Online Store. Please note, the Ruskin cannot reserve a place for you in advance or receive cash or part payment/deposits for a course.   All payments should be made in full at the time of booking via the University's Online Store. 

If you are eligible for one of the discounted rates, please remember to bring some ID with you for the first day of the course. 

Once you have placed a booking on the Online Store, you will receive an email and so will the Ruskin, that confirms your place.  Shortly before the start of the programme, you will receive full details about the course including a daily schedule. 

 

Cancellation Policy

Please note the Ruskin's cancellation policy for the summer short courses.  These policies are in contrast to the terms and conditions listed on the online store and take precedence over that policy.

Deposit, calculated as 15% of the course fee, applies to all courses.

Any booking that is cancelled more than one month before the start date of a course will receive a refund of any fees paid minus the Deposit.

Cancellations received within one month of the start of a course will not be eligible for any refund.   (The Ruskin strongly recommends that customers take out travel insurance against loss of the course fee in case they need to cancel at short notice due to unforeseen circumstances.)

Where a customer wishes to cancel a place on one course and transfer to another, this refund policy will normally apply.

The Ruskin reserves the right to cancel a course up to one month before the start date of a course, beyond that point, a course will be guaranteed. If a course is cancelled by the school, participants will be refunded in full. 

 

Short Course Tutors

 

Tara Benjamin-Morgan

  • Tara completed a BFA Fine Art at the Ruskin School of Art in 2013, whilst at St. Catherine’s College. She is currently on the MFA porgramme at Goldsmiths, and has exhibited in London, Oxford, Brighton and Kent.
  • Her work offers another world in which a viewer might exist, where the imagination can immerse itself and supplement the ambiguous forms with fragments of memories and dreams in order to create new narratives. She aspires to create images which can metamorphose under the scrutiny of the prolonged gaze, proffering strange and uncanny manifestations of often human forms.
  • More information about Tara's work (as Alexander Benjamin) can be found on her website: http://www.alexanderbenjamin.co.uk 
 

Eleanor Crook

  • Eleanor Crook is a forensic artist, sculptor and mixed-media artist, with a background in in Classics, philosophy, art history and anatomy. 
  • She is artist-in-residence at the Gordon Museum of Pathology at Guy's Hospital and the Vrolik Museum Amsterdam, and makes sculpture  to commission for a number of medical and science museums in the UK and internationally. She is a member of the Medical Artists' Association of Great Britain and runs courses  in Anatomy drawing and sculpting  at Camberwell School of Art and King's College London; Eleanor was one of the founding lecturers of Central St Martins' Masters Course in Art and Science.  She holds public workshops across Europe in both medical and art museums. She is also a specialist in the technique and restoration of historic wax models and in waxworking for bronze sculpture. 
  • She teaches wax and anatomical sculpture intensively at the Summer Progamme at the Ruskin School of Art (University of Oxford) in collaboration with Sarah Simblet and in 2017 established a new course, The Archaeology of the Self. In 2019 she offers a brand new course The Art of Wax: Flesh and Mortality
  • http://www.eleanorcrook.net
 

Weimin He

  • Weimin studied Fine Art in both China and the UK and was awarded a PhD in 2005 from the University of Ulster, Belfast. Weimin also worked as a Research Fellow on Chinese painting at the Ashmolean Museum from 2005-2009.
  • Drawing has played a centre role in Weimin’s work. Since 2010, he regularly visits Shanbei (China) region to create drawing portfolio. As a printmaker, Weimin specialized in woodcut and lithograph. The bold style of his woodcut is primarily influenced by the traditional Chinese calligraphy and seal cutting, and his work often depicts scenes of everyday life in town and countryside.
  • Weimin works as the artist-in-residence in the Oxford University’s Estates Services, creating ink paintings and woodcut prints which reflect the transformation of the Oxford University Radcliffe Observatory Quarter (ROQ).
 

Graeme Hughes 

 

Sarah Simblet

 

Clova Stuart-Hamilton

  • Clova trained at the Ruskin and the Royal Academy Schools in the 1980s, winning a number of major prizes and scholarships. Always working from life, her commitment to drawing and intense scrutiny of the subject can be traced back to her rigorous training and, in particular, to the teaching of the painters Jane Dowling and Peter Greenham.  Although most visible in the large, searching and rhythmic pencil drawings and life room studies, the primacy of drawing underpins all the painted work.  Her paintings probe worlds of unusual and distinctive colour harmonies; whether muted and subtle as in the French interiors or rich and sensuous as in her exotic still life subjects or flower pieces, as she responds to a particular stimulus and mood.
  • Teaching has been an important, greatly valued and much enjoyed feature of her career.  Initially teaching Art and Art History in the highly regarded Art Departments of St Paul’s School, Barnes and Radley College; she then diversified into the teaching of adults at Sunningwell School of Art.  Currently, she balances part time work in the dynamic and adventurous Art Department at OLASS in Oxfordshire with delivering lectures, short courses and workshops in a range of contexts.
  • Her paintings and drawings can be viewed at www.clova-stuart-hamilton.co.uk