Latest Archive
Cornelia Parker: Magna Carta (An Embroidery) Humanitas Visiting Professorships in Contemporary Art European Live Art Archive John Gerrard: Exercise (Djibouti) 2012 The Elements of Drawing: John Ruskin’s Teaching Collections at Oxford Gabriela Albergaria: hither and thitherThe John Berger Lectures
The John Berger Lectures take place on an occasional basis and focus on various aspects of art history. The overall title salutes the seminal and ongoing contribution of John Berger to the study of the visual arts.
2006
The Life and Times of a Masterpiece: Young Woman Seated at the Virginals by Johannes Vermeer van Delft
Gregory Rubinstein
Worldwide Head of Old Master Drawings, Sotheby’s
2004
Felix Slade
Charles Saumarez Smith
Director of the National Gallery, London
2002
Deep and true? The cultural life of the English landscape
Patrick White
Writer and broadcaster
2001
Imaginative Criticism
Geoff Dyer
Writer and critic
1999
Neuroscience in Art: Conflict or Complement?
Susan Greenfield
Director of the Royal Institution of Great Britain and Professor of Pharmacology, University of Oxford
1998
How to draw a pigeon
Stephen Farthing
Ruskin Master of Drawing, University of Oxford
1998
Fictional artists, real spectators ‘Amico di Sandro’, Roger Fry’s Cézanne and the Demoiselles d’Avignon
Christopher Green
Professor of the History of Art, Courtauld Institute, University of London
Organised by the Ruskin School of Art in association with the Ashmolean Museum of Art and Archaeology, Lady Margaret Hall, Oxford and St Anne’s College, Oxford and supported by funding from Arts Council England and Southern Arts.