C4-R

2015-7. Altered 4-frame GIF. 2000 x 2000px

C4-R

2015-7. Altered 4-frame GIF. 2000 x 2000px

VCR

2016. 2 altered Panasonic M10 VHS camcorders. Still from video, 0:28:36

VCR

2016. 2 altered Panasonic M10 VHS camcorders. Still from video, 0:28:36

Bold Chorus

2017. 9 shredded Blackberry Bold 9700 smartphones connected through an encrypted network. 70 x 70 x 70cm installation

Bold Chorus

2017. 9 shredded Blackberry Bold 9700 smartphones connected through an encrypted network. 70 x 70 x 70cm installation

Rendered Void

2016. Timber, gloss spray paint, japanned screws. 353 x 76 x 75cm

Rendered Void

2016. Timber, gloss spray paint, japanned screws. 353 x 76 x 75cm

Rendered Shell

2016. Timber, gloss spray paint, Calvin Klein 'one' fragrance, Calvin Klein 'be' fragrance, japanned screws. 87 x 76 x 57cm

Rendered Shell

2016. Timber, gloss spray paint, Calvin Klein 'one' fragrance, Calvin Klein 'be' fragrance, japanned screws. 87 x 76 x 57cm

Conference

2016. 6 Arne Jacobsen 3100 'ant' chairs, fluorescent spray paint, uncut rubies, raw cochineal. 109 x 70 x 80cm

Conference

2016. 6 Arne Jacobsen 3100 'ant' chairs, fluorescent spray paint, uncut rubies, raw cochineal. 109 x 70 x 80cm

Untitled

2017. 5 detachable frames. Timber, 999 gold leaf, copperchrome spray paint, Paco Rabanne '1 million priv�' fragrance. 133 x 39 x 39cm

Untitled

2017. 5 detachable frames. Timber, 999 gold leaf, copperchrome spray paint, Paco Rabanne '1 million priv�' fragrance. 133 x 39 x 39cm

Crest

2016. 925 silver, engraved housing association logo.

Crest

2016. 925 silver, engraved housing association logo.

Meelie Nathan Caldecott Rosie

My practice moves between mathematics, economics, architecture and art; with a particular focus on digital models, and their statehood in physical spaces. I’m interested in the dual functions these digital models have—the roles they have to play as structural units, and the roles they could play as containers of value. Rendering them into physical spaces, I create a distinct distance between these dual functions, and amplify them with a coded sense of mischief. Incidents of form are meticulously encrypted and organised, and at the same time, carry mythical, material and dematerial surfaces; from household spray paint and fixatives to luxury fragrances, industrially shredded objects and uncut minerals. I want each piece to craft a distinct nexus of provenance, tied down to the gallery text listing its materials and revealing its states. The viewer is held witness to a momentary—digital—leap in its operations.

studio@nathancaldecott.com

www.nathancaldecott.com